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"As you evidently need support, I'll go with you as far as the stables," says Geoffrey, compassionately, and together they leave the room, keeping company until they gain the yard, when Geoffrey turns to the right and makes for the stables, leaving Nolly to wend his solitary way to the flowery orchard.,

"One of Thomas's billet-doux, no doubt," says Geoffrey, dreamily, alluding to the under-footman, but thinking of something else.,

Paul Rodney, standing where she has left him, watches her retreating figure until it is quite out of sight, and the last gleam of the crimson silk handkerchief is lost in the distance, with a curious expression upon his face. It is an odd mixture of envy, hatred, and admiration. If there is a man on earth he hates with cordial hatred, it is Geoffrey Rodney who at no time has taken the trouble to be even outwardly civil to him. And to think this peerless creature is his wife! For thus he designates Mona,—the Australian being a man who would be almost sure to call the woman he admired a "peerless creature.",

"Yes. I thank you for your goodness," returns he, slowly.

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Of all this Mona is unaware; though even were it otherwise I doubt if a lie could come trippingly to her lips, or a nice evasion be balanced there at a moment's notice. Such foul things as untruths are unknown to her, and have no refuge in her heart. It is indeed fortunate that on this occasion she knows no reason why her reply should differ from the truth, because in that case I think she would stand still, and stammer sadly, and grow uncomfortably red, and otherwise betray the fact that she would lie if she knew how.,

Geoffrey, moving to one side, stands where he can no longer be seen, feeling instinctively that the ebbing life before him finds its sole consolation in the thought of Mona. She is all he desires. From her he gains courage to face the coming awful moment, when he shall have to clasp the hand of Death and go forth with him to meet the great unknown.,

"No," he replied, "I am in a hurry; I cannot stop.",

The postman himself is an institution in the village, being of an unknown age, in fact, the real and original oldest inhabitant, and still with no signs of coming dissolution about him, thereby carrying out Dicken's theory that a dead post-boy or a dead donkey is a thing yet to be seen. He is a hoary-headed old person, decrepit and garrulous, with only one leg worth speaking about, and an ear trumpet. This last is merely for show, as once old Jacob is set fairly talking, no human power could get in a word from any one else.